Bestand:Queen Christina as Minerva (Justus van Egmont) - Nationalmuseum - 40086.tif
Oorspronkelijk bestand (3.239 × 4.301 pixels, bestandsgrootte: 39,88 MB, MIME-type: image/tiff)
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Justus van Egmont: Koningin Christina van Zweden als Minerva | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Kunstenaar |
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Titel |
Koningin Christina van Zweden als Minerva label QS:Len,"Queen Christina as Minerva"
label QS:Lfr,"La Reine Christine en Minerve"
label QS:Lnl,"Koningin Christina van Zweden als Minerva" |
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Soort object | schilderij | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Genre | portret | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Afgebeelde personen | Christina I van Zweden | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Oorspronkelijk onderschrift InfoField | English: Description in Flemish paintings C. 1600-C. 1800 III, Nationalmuseum, Stockholm, 2010, cat.no. 73:
Technical notes: The support consists of a single piece of closely woven plain-weave fabric with some coarser threads. The painting has been trimmed on each side along the current stretcher edges. The painting has been lined and mounted on a non-original stretcher. It was prepared with a whiteish ground that has been applied thickly and evenly and which is covered by a semi-transparent brownish imprimatura. The preparatory layers cover the texture of the fabric completely. The paint layer is opaque and thickly applied. The subject is reserved against the background. The painting is simply executed and in the hands and face there are no modulation of the pigments on the greyish underpainting. Paint is applied in impasto in details of the armour and the white shirt. The pleats in the red drapery and the skirt are rendered without inflection. The sky has been executed in clear, lifeless brushstrokes. The foliage in the background of the painting has been painted over the sky. The palette consists of red, white, blue and earth colours. The painting technique in this work is less refined and more lifeless than in the work with a similar motif by Egmont in the Gripsholm collection (no. 72). A number of details have also been omitted and the rendering of the folds of fabric is simpler than in no. 72. Lining has also led to flattening of the paint layer. The foreground and background have been retouched. A few retouches to the face are visible, while the garments and armour remain intact. The painting underwent conservation treatment in 1964, 1988, 1989, 1990 and 1991. Provenance: The Dohna family of Stjernsund at Askersund; P. L. Öhrman, Askersund; Öhrmans estate, Stockholm; 1964 Brigitta Löwgren, Stockholm. Exhibited: Stockholm 1966, no. 547; Stockholm 1989; Kalmar 1989; Åbo 1990; Skaraborg 1991; Åmål 1993; Osnabrück 1997, cat. no. 20, p. 44; Läckö 1999b; Läckö 2001; Stockholm 2008. Bibliography: Burenstam 1891, pp. 13, 43; Steneberg 1928, p. 33; Strömbom 1943, p. 232; Cat. Gripsholm, I, Stockholm 1951, 245, no. 1853; Granberg 1912; Göthe 1912. This portrait is similar in type to no. 72 and represents Queen Christina as Minerva. For a description of the type of portrait and its significance in the iconography of Christina see no 72. This portrait is, however, stylistically and technically simpler in execution than Grh 3989, which suggests that it was mainly a studio production by one of Van Egmont’s assistants. The lack of modulation of the palette in the face and hands, the lifeless execution of the folds of draped fabric and the skirt as well as the simple, uninflected brushstrokes used for the sky testify to this. In these respects this painting differs from the greater modulation and detail in the execution of Van Egmont’s Minerva portrait numbered Grh 3989. This portrait by Van Egmont which formerly belonged to the Dohna family at Stjernsund outside Askersund was a gift from Queen Christina to Christopher Delficus Dohna, the Queen’s escort on her journey from Stockholm to Hamburg after her abdication in 1654. Inscription (below on the pedestal): “christi(na) re(g)in su(e…)e”; (on reverse): “Förr. 306” [Formerly 306] (incorrect numbering) KS [End]Svenska: Se även beskrivning i den engelska versionen |
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Datum | 1654 | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Techniek | olieverf op doek | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Afmetingen |
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Collectie |
institution QS:P195,Q2817221
institution QS:P195,Q842858
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Huidige locatie |
institution QS:P195,Q714783 |
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Inventarisnummer |
NMGrh 1853 (Nationalmuseum) |
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Herkomst |
Herkomst:
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Exhibition history |
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Referenties | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Bron/fotograaf | Cecilia Heisser / Nationalmuseum | ||||||||||||||||||||||||||||||||||||||||||||||||||||
Toestemming (Hergebruik van dit bestand) |
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Andere versies |
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Datum/tijd | Miniatuur | Afmetingen | Gebruiker | Opmerking | |
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huidige versie | 16 nov 2017 02:06 | 3.239 × 4.301 (39,88 MB) | AliciaFagervingWMSE-bot | {{Artwork |other_fields_1 = {{depicted person|Drottning Kristina|style=information field}} |artist = {{Creator:Justus van Egmont}} |title = {{en|Queen Christina as Minerva}} {{sv|Kristina, 1626-1689,... |
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Metadata
Dit bestand bevat metadata met EXIF-informatie, die door een fotocamera, scanner of fotobewerkingsprogramma toegevoegd kan zijn.
Cameramodel | NIKON D3X |
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Gebruikte software | Adobe Photoshop CS5 Windows |
Belichtingstijd | 1/125 sec (0,008) |
F-getal | f/10 |
Tijdstip gegevensaanmaak | 4 apr 2013 13:43 |
Sluitersnelheid in APEX | 6,965784 |
Brandpuntsafstand | 60 mm |
Breedte | 3.239 px |
Hoogte | 4.301 px |
Bits per component |
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Compressiemethode | Ongecomprimeerd |
Pixelcompositie | RGB |
Merk camera | NIKON CORPORATION |
Locatie afbeeldingsgegevens | 25.442 |
Oriëntatie | Normaal |
Aantal componenten | 3 |
Rijen per strip | 4.301 |
Bytes per gecomprimeerde strip | 41.792.817 |
Horizontale resolutie | 300 dpi |
Verticale resolutie | 300 dpi |
Gegevensstructuur | chunky gegevensformaat |
Tijdstip laatste bestandswijziging | 4 apr 2013 16:57 |
Auteur | Nationalmuseum |
Auteursrechtenhouder | Foto: Cecilia Heisser / Nationalmuseum 2013 |
Belichtingsprogramma | Handmatig |
ISO-waarde | 200 |
Exif-versie | 2.21 |
Tijdstip digitalisering | 4 apr 2013 13:43 |
Diafragma | 6,643856 |
Belichtingscompensatie | 0 |
Maximale diafragmawaarde van lens | 3 APEX (f/2,83) |
Methode lichtmeting | Multi-segment (patroon) |
Lichtbron | Flits |
Flitser | Flits is niet afgegaan |
Opmerkingen | Public Domain |
Subseconden tijdstip bestandswijziging | 49 |
Subseconden tijdstip datageneratie | 49 |
Subseconden tijdstip digitalisatie | 49 |
Kleurruimte | Ongekalibreerd |
Meetmethode | Eén-chip-kleursensor |
Bestandsbron | Digitale fotocamera |
Scènetype | Een direct gefotografeerde afbeelding |
Aangepaste beeldverwerking | Normale verwerking |
Belichtingsinstelling | Handmatige belichting |
Witbalans | Handmatige witbalans |
Digitale zoomfactor | 1 |
Brandpuntsafstand (35mm-equivalent) | 60 mm |
Soort opname | Standaard |
Piekbeheersing | Geen |
Contrast | Normaal |
Verzadiging | Normaal |
Scherpte | Normaal |
Afstandscategorie | Onbekend |